(There are also moments where McCartney defends Lennon’s endlessly intense relationship with Yoko Ono, which also defies the traditional narrative.) As for the conventional wisdom that Lennon was through being a Beatle and Harrison wanted out because too few of his songs were being used, Jackson found footage in which Lennon tells Harrison that each Beatle could make solo records and still return for a band project. Jackson, who used modern technology to separate out the voices, includes Harrison’s walkout. “They didn’t want it in there because at that point they weren’t breaking up,” Lindsay-Hogg says. Lindsay-Hogg had secretly slipped a recording device in a nearby flowerpot, but when he played the tape back later, “All I could hear was the crackle of cutlery.” Still, he would not have used the footage anyway, he says: The group made it clear (without expressly stating anything) that they didn’t want Harrison’s departure (or Lennon’s suggestion that they simply replace him with Eric Clapton) to be part of the film.
#Dailymotion let it be the beatles tv
We surveyed The Times TV team to come up with a list of the 75 best TV shows you can watch on Netflix. The 75 best TV shows on Netflix right now, according to our experts Days after the incident, Harrison quit the band, an event that was left out of “Let It Be.” Harrison came to a table where his mates were having lunch and offered a low-key resignation, saying, “See you around the clubs.” That’s not to say the band wasn’t having troubles. “I know what it’s like to be under pressure on a project.” The conversation “was no different from what I’ve seen on my films,” he adds. “We couldn’t show all that but our version of it is seven or eight minutes, which is more context than what Michael could do,” says the director of the “Lord of the Rings” and “Hobbit” films. “I was always aware you can warp things through reduction and taking things out of context.” The extended runtime avoided that problem, giving him “the luxury to flesh things out.”Īs an example, Jackson cites the “Two of Us” argument, which in the original film was just 45 seconds, even though it was part of a 90-minute session. “Still, it’s closer to the truth than people’s memories or than what a shorter version would have been,” he says. But there were conversations happening, say, in the evening. “That’s only when Michael was filming, or they were recording. Jackson was given 57 hours of footage and 140 hours of audio recording, but “you can’t even call that the truth,” he says. “The truth is a complicated concept, but I’ve tried to tell the story as accurately as possible,” Jackson says, adding that there’s a level of manipulation the minute a director makes a single edit.
#Dailymotion let it be the beatles movie
I wanted it in the movie because it was a true interaction but then suddenly it became, ‘That’s why they broke up.’”ĭisney’s marketing campaign for the series, originally planned as a feature film, proclaims Jackson’s project finally tells the “real story.” But Jackson acknowledges that’s a slippery term.
“I saw that as a discussion between artists having a small disagreement.
“These were musicians knuckling down to work and having affectionate times and sometimes getting annoyed,” Lindsay-Hogg says. McCartney and Harrison’s exchange was one symbol of the collapse. The Beatles had just broken up, and Lindsay-Hogg’s footage was seen as a document of a band in the process of disintegrating. By the time Michael Lindsay-Hogg’s fly-on-the-wall film “Let It Be” was released in May 1970, however, the moment, and the film, looked very different. “Or I won’t play at all if you don’t want me to play.” “I’ll play, you know, whatever you want me to play,” Harrison said at one point.
In early January 1969, as the Beatles tried to wrestle a new song, “Two of Us,” into shape, Paul McCartney and George Harrison fell into a debate about Harrison’s guitar part, one that echoed an argument they’d had the previous year while rehearsing “Hey Jude.”
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